Painting

Painting as an art form has flourished in India from very early periods as is evident from literary sources and also from the remnants that have been discovered. Numerous paintings or Patas are mentioned in the Mudrakshaka. There are isolated paintings like the Yama-pata; isolated framed drawings like Cauka-patas and the Dighala-patas or long scroll of paintings, representing a complete legend. In another book Vishnudharmottara, the section Chitrasutra describes the basic tenets of painting. According to this treatise, the six limbs of painting are: variety of form, proportion, infusion of emotions, creation of luster and iridescence, portrayal of likeness and colour mixing to produce the effect of modeling. The Vinayapitaka (3-4 century BC) describes the existence of painted figures in many royal buildings.

Paintings and drawings of animals dating back to prehistoric times have been found in the Bhimbetka caves in Madhya Pradesh. The Mesolithic paintings of Narsingarh ( M.P.) show skins of spotted deer left drying which indicate that man has acquired the art of tanning skins for clothing and shelter. In the paintings of these period musical instruments like the harp figure to show that the awareness of creation of sound and the concept of rhythm had appeared. The paintings of the Mesolithic period contain geometric forms like the spiral, square, circle and rhomboid. A painting from Joanna (M.P.) shows a square divided by vertical lines into compartments.